What the Experts Say II

In order to better understand the situation in post-Soviet countries, it will be useful to look at this with a concrete example. The article by Lasha Chkhartishvili, an employee and researcher of the Modern Georgian Theater Research Center of Ilia State University in Tbilisi, Georgia, will help in this."Censorship and Self-Censorship in the Post-Soviet Georgian Theatre" describes the stages of the formation of the modern Georgian theater in a tense political climate and the presence of various types of censorship affecting the evolution of the theater.

Today, not so many people are paying their attention to modern theater, however, this has considerable interest among the Georgian population, although plays on political themes not only resonates in the hearts of the audience, but at the same time getting the attention of the government. Today, not so much people are paying their attention to modern theater, however, this has considerable interest among the Georgian population, and political-patriotic performance not only resonates in the hearts of the audience, but at the same time getting the attention of the government.

If you are interested, you can learn more about this from http://www.critical-stages.org/8/censorship-and-self-censorship-in-the-post-soviet-georgian-theatre/